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Medium format freak show

 

KIEV 60, HUNGRY!!! KIEV 60 EAT YOU, AAAAAARRRRRGHHH!!!!
KIEV 60, HUNGRY!!! KIEV 60 EAT YOU, AAAAAARRRRRGHHH!!!!

Medium format SLRs for non-specialised use are a totally different breed than 35mm cameras. The current shape of the 35mm SLRs were defined between the 1930s and the early ‘50s, and the most critically influential design is, without the shadow of a doubt, the Kine Exakta. What we identify as an SLR today is, almost without exception, a scion of the Exakta. The other is the Contax S, which ported the concept of the Kine Exakta into the Contax rangefinder body, which was inherently superior, plus, they added the pentaprism, without which most of us don’t understand an SLR. For medium format cameras, designers followed different strategies.

The main influencer in medium format SLR design is the Hassy. The original Hasselblad is allegedly based on a German aerial camera. Should we trust their founding myth, and you know what do I think about founding myths, it is a military tool adapted for everyday use, which is creepy enough.

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Now that we’re talking bout black Kievs…

sinarp+symmar+5-5-2015001

Guess what: I had another one a while ago. Just it wasn’t a rangefinder but a SLR. And bigger. This is important for a photographer. Size matters, and every photographer knows ladies like big. Well, it’s the one above. Yes, this “ARAX” is in fact a modified Kiev 88, which, incidentally is not even remotely related to rangefinder Kievs.

See, the Arsenal factory, the maker of the Kievs in Soviet Ukraine, made a little of everything, from military rifles to photo cameras. But more rifles. OK, you just need to know that all cameras ever made there at the Arsenal factory were called Kiev, regardless of their film format or if they were still or cinema cameras. After the fall of the Iron Curtain, camera production seemed to have completely stopped.

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