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EVIL MF

It is just glorious that a medium format system has less flange than a 110 one

This mirrorless thing has really gone way further than I predicted in the first place. We said it last week: a pythoness of the digital market Baron I is not. I really thought that the MILC developers would linger much more with unexciting small frame models, even smaller than APS-C which it is way too small to be taken seriously.

Size matters more than ladies would ever admit. Those who, with the purpose of making you buy a digital camera, take you people for idiots often say that small sensors have more depth of film than larger ones and thus it is more difficult to achieve a nice ‘3d effect’ (or ‘defocussing’ or whatever they call it) with a small sensor. This is utterly false. There really is no need to lie to people; I’ve personally seen a salesman in one of the biggest photo stores in my area that ‘digital has more DOF than analog’. That’s outrageous.

What larger sensors actually do is using longer lenses to achieve the same angles of view. Longer lenses lead to less DOF. Less DOF leads to more extreme defocussing. And more extreme defocussing leads to the Dark Side. Wait, no. it actually leads to the photographic Canaan: a land flowing with milk and honey. Some folks say that the very concept of bokeh was invented by Japanese salesmen in order to sell faster and more expensive lenses, but I have an idiotic fondness for extreme defocussing that only larger formats can fulfill. As any infomercial on mechanical penis enlargers would confirm, big is better.

And you know what, Fuji is releasing a camera that has a sensor for days, 1.7 times bigger than a FF; and Hasselblad recently released another digital medium format system with a sensor of similar size. I’m normally not too amused at digital gizmoes hitting the market, but these cameras have a feature that touches my little black heart: a ridiculously short flange distance. This enables medium format mirrorless cameras (MFMILC? MFEVIL? I like more MFEVIL cause it looks like it reads ‘motherfucking evil’ and I have a sense of humor like that of a 13 year old) to use lenses from any other medium format camera system and I would really love to attach an 80mm f2 Norita lens on one of them. Heck, you could even put a Leica M lens on them and it would be able to achieve infinity focus. Before you laugh at how idiot I am and telling me on the comments box that this would be pointless because it will vignette, take into account that you can crop them to full frame (which is a peculiar concept itself) in PS and you still would have zillions of pixels in your pic, so for the price of one of them you will be able to use any 35mm or medium format lens you could imagine.

I have to admit it: digital cameras are getting more interesting. Maybe there will be one day in which digital will beat film. But this won’t happen tomorrow.

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Going Alpha male

Alpha, bro
Alpha, bro

See what an adapter can do? Of course focus is a little tricky cause this lens, the ‘FED Summar’ was collimated specially for its native body, which, I will totally casually add, is for sale in my store, bundled with the lens.

It’s a pleasant lens to use anyway, if you can endure the inconvenience of the focussing lever and the flare wide-open.

Someone once said that adapters were the most disruptive gadget in the camera industry: ten bucks and you can bypass the schemes of first brands. Of course, first brands don’t make them because they want you to use their lenses. Besides, it would be bad marketing for them to advertise that one of the advantages of your system is that you can use glass from competitors.

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Special K

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There are things I will always love about the US. For example, when they have to demolish something big instead of doing the sensible thing they stick a big chunk of dynamite on it and blow it up. I love those chaps. That’s what happened with Kodak’s oldest film facility a few days ago, it was mid-july and them lucky guys at Rochester NY, the holy city of Kodak, were lucky enough to have a second Independence Day fireworks display, with some delay. Boom went the dynamite and with it more than 90 years of filmmaking industry crumbled unelegantly. This was very indicative of the current state of affairs in Kodak nowadays.

Yes, I’m going to bash Kodak. About the title: I didn’t mean the ‘I will love you forever’ kind of special, rather the below 70IQ kind of special.

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